Tag: rock

What Does the Venue Think?

By Mitchell Slepian

Last night, I saw Paul Simon at the Forest Hills Tennis Stadium. A few days ago, I was at Yankee Stadium. Just before that, I saw Lenny Kaye in the Loft at City Winery, Human League with Soft Cell and Alison Moyet at Radio City Music Hall, and Kim Deal at Pier 17. Future shows will be at the Beacon and Garden. Speaking of the Garden, we all know Taylor Swift married there on July 3. 

Paul Simon at Forest Hills Tennis Stadium

All shows brought their expected crowds. We had the aging hippies, the artsy and all-black-wearing new wave and goth crowds, and, of course, those of us decked out from head to toe in our NY Yankees apparel. It didn’t help. They embarrassed themselves by allowing the Twins to pound them. Seems to be a trend. George and the Stick must be rolling around in their graves.

Yankee Stadium

Many of us have felt the Garden shake during performances by The Who or felt connected to Bono. We’ve come to a new understanding of the world while listening to the top-notch songwriting and skills of the Cure and Depeche Mode. We ached that Siouxsie Sioux only did a few shows and did not come to NYC. 

Lenny Kaye at City Winery Loft

But did you ever wonder what the arena feels like? We know what the Stadium feels. It wants the Yankees to bring home that trophy. It’s been far too long. Sure, these venues are concrete and steel. But do they have feelings? Do they have a sense of what’s happening inside them? Does the Garden ever say to Radio City Music Hall, I wish the Human League were on my stage? I doubt the Stadium talks to Fenway Park. They hate each other. Or maybe they complain about the fans or certain players?

Human League at Radio City Music Hall

Forest Hills Tennis must have been happy to have its local Forest Hills High School boy, Paul Simon, performing at its arena. Although the schoolyard in “Me and Julio Down by the Schoolyard” is never officially named. Per the lyrics, it is in Corona. I have been to the schoolyards; it is believed to be. As I was listening to him perform it, I wondered how many people in the venue had ever traveled to the yards he meant. What does that schoolyard think?

Do the venues have favorite artists? Do they prefer the classic rock, goth, or pop crowds? Does it give off feelings that enhance or hurt the show? Does it get excited when one band does three or four nights? I saw Billy Joel’s residency at Madison Square Garden a few times. Does the Garden kick back into Billy’s coming tonight, and will we have his awesome crows? What does it think when Robert Smith takes the stage with the Cure, and they play in darkness vs. the more top 40 shows that light up the place? Does it prefer bands that really honed their craft to those that are marketing projects created to sell tickets and push downloads? Maybe I need to ask it. It might laugh at me. Or whisper back its thoughts.

100 Years or Goodbye Yellow Brick Road

Does Music Make a Difference When Shooting and Editing Photos?

By Mitchell Slepian

Hello, readers. As my regulars are aware, ninety-nine percent of the time, the images in my stories have been shot and edited with my Nikon camera. As Paul Simon sings, I like to take photographs. My Kodachrome sits on a table next to an old Nikon that was a workhorse and is now out of commission.

Sheepshead Bay by Emmons Avenue – Edited to Sir Elton

When shooting and editing, I always have songs in my head. One of my all-time favorite songs is “100 Years,” the opening track on The Cure’s “Pornography” album. It might be the darkest, most goth album of all time. I listen to it nonstop. Here’s a taste of Robert Smith’s (The Cure’s founder, lead singer, and possibly the best songwriter ever) lyrics. “It doesn’t matter if we all die. Ambition in the back of a black car.” I listen to lots of other great artists. Some are happier than The Cure. Of course, some are just as dark. Here’s a partial mix: Bauhaus, David Bowie, Billy Joel, Depeche Mode, Erasure, Sir Elton John, Joy Division, John Lennon (probably the best musician of all time), Led Zeppelin, Bob Marley, The Psychedelic Furs, The Smiths, Siouxsie and the Banshees, U2 and The Who. And the list goes on.

Red Flower – Edited to Sir Elton

It’s not unusual for me to have some of these lyrics floating through my brain when I’m shooting. “Confusion in her eyes that says it all. She’s lost control. And she’s clinging to the nearest passerby.” – “She’s out of Control,” Joy Division “Girl of sixteen, whole life ahead of her. Slashed her wrists, bored with life. Didn’t succeed, thank the Lord.” – “Blasphemous Rumors” – Depeche Mode “Back to the howling old owls. Hunting the horny back toad” – “Goodbye Yellow Brick Road” – Sir Elton and “Before you cross the street. Take my hand. Life is what happens to you. While you’re busy making other plans” – “Beautiful Boy” – John Lennon. He always nailed it. They all do.

One can be sure the songs in my head while I am shooting affect how they are taken. I might adjust the ISO and F-stop based on how I am feeling. In case you were wondering, I do not listen to music on my iPhone. I hate headphones. I used to wear my Walkman’s headphones slightly above or below my ears. Sometimes I still do that with headphones when I am Zooming or watching things on YouTube. Songs always go through my head. It gets me through the days. Or as Robert Smith says, “In Between Days.” That’s on the “Head on the Door” album.

Bees Fetching Honey – Edited to the Cure

The other day, I was editing some images from Emmons Avenue, Sheepshead Bay and the New York Botanical Garden while listening to Sir Elton. Then I switched to a mix of The Cure, Echo and the Bunnymen, Erasure, and Psychedelic Furs, Siouxie and the Banshees. Erasure brings back memories of camp. The Cure, Erasure, and the Furs bring back old memories of dating and driving around in my old Caddy with the girls I liked. We usually listened to those bands. My first date was to see The Cure with Love & Rockets and the Pixies as the openers. We were too young to buy beer. We shared M&M’s.  I still think about all of this when certain songs play. 

The Hanging Flower – Edited to The Cure

Look at the images and see if you can tell the difference. This was written and edited to Led Zep’s “How the West Was Won.” With final touches while listening The latest from The Cure: “Songs of a Lost World.”